Archive for the Books Category


Posted in Books, Devils, Ghosts, Gore, Movies, Reviews, Supernatural, Thriller with tags , , , , , , on October 11, 2012 by darklordbunnykins


Starring Ethan Hawke, Juliet Rylance, and Vincent D’Onofrio

Directed by Scott Derrickson

Written by Scott Derrickson and C. Robert Cargill



How far would you go to secure your own legacy? That is the question at the heart of Sinister, The Exorcism of Emily Rose writer-director Scott Derrickson’s return to horror after helming the underrated sci-fi remake The Day the Earth Stood Still.

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Posted in Books, Gore, Interviews, News, Supernatural, Vampires with tags , , , , on August 14, 2011 by darklordbunnykins


The DLB had the privilege today of interviewing Guillermo Del Toro, the man behind such beloved genre properties as Mimic, Pan’s Labyrinth, Hellboy and the upcoming big screen version of the 1973 TV movie Don’t Be Afraid of the Dark, out August 26. We asked Mr. Del Toro about his and co-writer Chuck Hogan’s upcoming book, The Night Eternal, the final installment in the vampire trilogy started with The Strain and The Fall.


The final installment of The Strain trilogy, The Night Eternal, comes out in October. Without giving away too much, what can you tell us about Eph Goodweather and The Master?

We just finished the corrections to the first galleys two days ago; literally two days ago in the morning I was sending my last corrections. And it’s the darkest of the three books. At the same time it has some of the most mythical origins of the creatures. You explain where The Master comes from, you explain where all vampires come from, and it goes back to ancient times. And so you have a chapter or two in ancient times, you have a chapter in ancient Rome. And I promised in the first book, when people interviewed me about the trilogy, I said you’re going to see characters you like do things you don’t like and characters you don’t like do things you like, and I think we delivered in the third book. Not everyone ends well! (laughs) In the second book we killed one of the dearest characters, which was Setrakian, and I think the body count in the third one is pretty high.


The Night Eternal is available Oct. 25 through Harper Collins.


Posted in Books, Interviews, News, Vampires, Violence with tags , , , , , , , , , , , , , , , on July 27, 2011 by darklordbunnykins

Dominic Cooper stars in THE DEVIL'S DOUBLE.

The Dark Lord Bunnykins had the chance this afternoon to speak to Dominic Cooper, the British star of the upcoming “gangster” film The Devil’s Double. Cooper, who can currently be seen on screens as Iron Man’s daddy Howard Stark in Captain America: The First Avenger, plays both Uday Hussein, Saddam’s psychopathic son, and his double, Latif Yahia, who spent years in real life doubling as Uday in case of assassination attempts.

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Posted in Books, DVD, Gore, Interviews, Monsters, News, Violence with tags , , , , , , on January 31, 2011 by darklordbunnykins

Director Adam Green’s 2006 old-school slasher film Hatchet — about a deformed killer named Victor Crowley who haunts a Louisiana swamp — has spawned a sequel, Hatchet II, which hits  Blu-ray and DVD in the US tomorrow (Feb. 1) and in Canada on Feb. 15. The DLB spoke to Green for Rue Morgue Magazine (read the rest of the interview here) and asked him about his future projects, including an adaptation of the Greg Taylor YA novel Killer Pizza, his part of the horror anthology Chillerama, and the possibility of a third Hatchet film.

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Posted in Art, Books, Gore, History, Movies, News, Rue Morgue, Zombies with tags , , , on November 12, 2010 by darklordbunnykins


That, my lovelies, is the gruesome cover art for Zombies! An Illustrated History of the Undead by ex-Rue Morgue editor-in-chief and friend Jovanka Vuckovic. It’s available for pre-order now on and is due out Feb 1 from St. Martin’s Press in the US and Ilex Press in the UK. The cover comes courtesy of The Walking Dead artists Charlie Adlard and Cliff Rathburn.

We’ll be sure to keep tabs on this project, as well as Jovanka’s upcoming directorial debut, The Captured Bird. Follow that project’s development on


Posted in Books, Concerts, Events, Goth, Halloween, Music, Rue Morgue, Zombies with tags , , , on October 23, 2010 by darklordbunnykins


Toronto Goth punk band Cadillacs and Cadavers ( provided the musical entertainment last night at Toronto’s Cherry Cola Lounge for the launch party of Andrea Subissati’s new book “When There’s No More Room In Hell,” an academic text which examines the zombie phenomenon from a sociological perspective.


Posted in Books, Events, Festivals, Gore, Halloween, Monsters, Movies, Music, News, Sex, Vampires with tags , , , , , on October 14, 2010 by darklordbunnykins


Proving that the love of horror is worldwide is Cape Town’s 10-day Horrorfest. Running Oct. 28 to Nov. 5, Horrorfest, now in its sixth year, is the Halloween event in Africa and includes screenings of new and old films, shorts, a live soundtrack performance by The Makabra Ensemble (, prizes & giveaways, and an amazing after party.

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Posted in Books, Gore, Movies, Reviews, Vampires, Violence with tags , , , , , , , on October 1, 2010 by darklordbunnykins


Starring Kodi Smit-McPhee, Chloë Moretz and Richard Jenkins

Written and directed by Matt Reeves

Overture Films

Nine times out of ten, Hollywood remakes of foreign horror films are awful. Thankfully Let Me In, a remake of the Swedish vampire movie Let the Right One In, is that one time out of ten where it works.

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Posted in Books, Monsters, Sex, Werewolves, Zombies with tags , , , , on May 12, 2010 by darklordbunnykins


Coven of Celsus – Elizabeth by Randy V

Erotica, horror, and a complete reworking of vampire mythology make debut novel “The Most Dangerous Vampire Story Ever Told”

Randy V, inspired by the Marquis de Sade’s Juliette and Anne Rice’s Sleeping Beauty Trilogy, reworks vampire mythology in his debut novel Coven of Celsus – Elizabeth to create “the most dangerous vampire story ever told.”

In this unique and original complete reworking of vampire mythology, the author introduces us to vampires who are decidedly not of the Twilight ilk. Rather, these vampires share an overwhelming affinity for sadistic orgies and what they consider justifiable homicide, preferably at the same time. They live for 117 years and then become spirits for 117 years, with this cycle of reincarnation lasting forever.

Coven of Celsus – Elizabeth takes place in the present, which happens to be the 17th reincarnation. The story centers around nine vampires, one man and eight women, each of whom feeds in a different manner. Celsus and Nona come back into each reincarnation with their full memories, while the haunted, world-weary lycanthrope Celsus, in a variety of increasingly sadistic sexual orgies, releases both the memories and the “true selves” of the other seven women at each reincarnation.

In this novel of erotic horror, the title character, Elizabeth, is the eighth member of the nine-member coven. The novel follows the beautiful, deeply disaffected Elizabeth as she finds her “true” self, all while Celsus pulls her strings, notes the author, “like a puppet.” Concurrently, the other members of the coven sexually overwhelm and execute two pedophile priests and a former brutal boyfriend, as well as others, in increasingly bizarre and sexually gruesome ways that take vampires, and their deadly desires, to an entirely new level.

Celsus’ philosophy throughout the book – eat to excess, drink to excess, fornicate to excess – creates what the author calls “an incendiary, very sexual book with dialog regarding organized religion that is difficult to refute.” Numerous reviews on Amazon ( attest to the impact it has on readers.

Coven of Celsus – Elizabeth is available at

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Coven of Celsus – Elizabeth by Randy V; iUniverse; Fiction; Hard cover $25.95; Paperback $15.95; ebook $6.00


Posted in Books, Interviews, Vampires with tags , , , , , , , , , , on May 6, 2010 by darklordbunnykins

Rightly renowned comedic author Christopher Moore rolled into terrifying Toronto a couple of weeks ago to talk up Bite Me, his final instalment of his unintentional Bay Area vampire trilogy.

Bite Me is the follow-up to 2007’s You Suck which is itself a sequel to 1995’s Bloodsucking Fiends. Briefly, Bite Me follows the misadventures of Jody and Tommy, newly-turned San Franciscan vampires who, in the last instalment, found themselves encased in a bronze statue by their wannabe servant, teen Goth temptress Abigail Von Normal, “Emergency Back-up Mistress of the Greater Bay Area Night.” Newly-released, the couple are separated and must mount any number of challenges, including clouds of vampire cats and ancient vampire hunters, to be reunited.

Here, Moore, who began his career as a horror writer but switched gears when he found more readers were snickering at his work than shivering, talks about vampirism as a useless metaphor, stalking Goth blogs, and the importance of humour in his horror. The DLB interviewed Mr. Moore in the Lobby Bar of the swank Four Seasons Hotel in Toronto.

I understand that you began your career writing horror fiction. Were you disappointed initially that people were laughing at your work?

That was basically it.

That’s gotta suck!

No, no, it was okay! I hadn’t turned a phrase by accident. I was trying to write in a way that I was turning a phrase cleverly, but I was writing horror stories. And what people were laughing at was the way I turned a phrase, and I just went with that. So it wasn’t the shock that ‘oh, you’re stuff’s not scary, it’s funny,’ it was that the funny stuff was funnier than I thought it was. And whether the horror was effective or not, it wasn’t as effective as the funny stuff was. So that’s sort of the direction I went in. You go with what you’re good at, and that’s what I discovered I was good at.

Who were your favourite horror authors growing up?

Richard Matheson, who wrote I Am Legend and The Incredible Shrinking Man and almost all the Twilight Zones; great short story writer. Robert Bloch, who I loved and also had that grim sense of humour. His most famous work is Psycho, but his short stories are brilliant. Ray Bradbury really early on was an influence. And then as I got into my teens, I was actually reading Stephen King. I think Salem’s Lot was… ‘Oh, that’s how you do suspense!’ device-wise.

I read everybody. Poe and Lord Dunsany and all those guys. H.P. Lovecraft and so forth.

Do you have any interest in trying to write a serious horror novel at some point? Do you think that is even possible?

I don’t think it’s possible for me. I certainly couldn’t maintain it for a novel. I might be able to write a straight horror short story, but that’s how I react, that’s my default setting for the world. So I don’t think I could write a whole novel that didn’t have humour in it.

I recently interviewed Joe Hill, Stephen King’s son, and he described humour and horror as “very close allies.” Would you agree?

Well, there’s a relief factor to it. You can take it so high. When you’re writing a novel there’s sort of a – not to sound too high-minded about it – there’s sort of a symphonic structure to it where you go up and down and up and down. It’s not like a short story where you have one effect and that’s all you want to do.

And so the relief, the counterpoint a lot of times is the humour, and the suspense, let’s say, is the engine that drives the story, but the humour are the beats that go along and the counterpoint to the horror. So I think they’re entwined in that way. It’s an interesting observation. I don’t think I thought it as beats before, but the metaphor certainly works, and that’s why.

Chris Moore in Toronto

Your character Abby gets a lot of time in Bite Me. At what point did she start to take over the narrative?

I think I decided for this book that it would be her book because she sort of took over the last one (You Suck). I didn’t design that to happen in the last one, but she became really the vehicle for… Most of the humour in the last one was rhetorical because of the way she talks and reacts. So with this one I decided she was going to be the engine for the book and it was going to be more of her story than the other two books had been, and so right from the get go on this book I knew it was Abby’s book, basically.

Abby is an iconic Goth teen, and I understand that you read a bunch of goth blogs to help flesh out her character.

I did. When I wrote You Suck I read Goth blogs for about 40 minutes every day before I wrote any of Abby’s parts, just to get it by year, sort of to get the idiom by ear. And there were a lot of clever kids writing blogs then, and so there was material to draw from. It was obviously a different vocabulary and syntax than I was accustomed to using, and it wasn’t something where I was going to go hang out with a bunch of kids on the bus to listen to them.

Middle-aged white men.

I know. Creepy. Deeply, deeply creepy. There was a point where my girlfriend would come into my office and look at what was on the screen and she’d go, ‘Oh, the FBI is just going to break the door down, aren’t they?’ And I’d say, ‘Well, no. I’m not really interacting, I’m just lurking like a big creepy perv so it’s fine.’

But basically I think the interesting part of that is when I went back in 2009 to do the next book, the blogs were gone. The world had changed, and everybody was texting or Facebook, updating, and those good writers that I had encountered three years before were not writing, at least not online. So I don’t know what that says about the evolution of the human language, but it didn’t look good to me.

What other research went into writing this book versus, say, the first one?

I did worry about the city having changed because the neighbourhood the main characters Tommy and Jody live in, SoMa, was a lot of industrial lofts and Pakistani restaurants and transmission shops and artists’ lofts and stuff like that when I wrote the first book. And it also turns out to be where the Internet happened. So by the time I went to do the second book, that’s where all the original offices of Google and and all these other places had renovated that area of the city, and they’d become these upscale, modern loft areas and office lofts.

And I was concerned about it, and I actually met with a book group in San Francisco from a book store named Borderlands. They read a different science fiction or horror book every month and discuss it. And I was living in Hawaii at the time. I teleconferenced with them and said, ‘Okay, guys. You live in the neighbourhoods. What should I do about this intervening twelve years?’ And they said, ‘Just ignore it. Just act like it didn’t happen and go on forward.’ So I said, ‘Okay.’ That’s what I did. I went forward as if, well, it doesn’t really matter. It’s not relevant.

Fortunately there weren’t that many cultural references as far as music and things that would really date the first book and the second book because it’s just that any musical references that I’d used in the first were classic rock when they might have been cutting edge at the time.

Was this story always conceived of as a trilogy?

I did the first one basically as part of a multi-book contract. But when I finished writing it I thought I would like to do this again because a vampire story really isn’t really a vehicle for big themes and serious philosophical treatises. It’s just a lot of fun with funny characters. And I thought, ‘I’d like to do this again.’ But my publisher at the time didn’t print many of them, and the book consequently didn’t do that well. And I wanted to keep my career on an upward vector so I couldn’t really write the second one until I had an audience that would buy anything that I’d write. So by the time I wrote You Suck I had that, and they did.

And I just thought You Suck needed… The ending wasn’t as satisfying as I thought it should be, so Bite Me is to wrap it up. And so it became a trilogy sort of on its own. But I’d always wanted to do a second one. It just took career moves to be able to do it.

What was your opinion of vampire fiction prior to writing the first one?

I sort of self-educated in the whole genre – writing in general – but, sure, I had read Stoker’s Dracula when I was fourteen and then all of the things you have to read: Camilla by Sheridan Le Fanu, and you have to read [John] Polidori’s The Vampyre.

And by the time I wrote Bloodsucking Fiends Anne Rice already had, I think, five or six books out, and she had written the history of the vampire race. And I told my editor that when he picked this idea as one of the ones I submitted. I said, ‘Look, she’s already done the vampire history thing. I don’t know that I can do that. And he goes, ‘Well, are her books funny?’ And I said, ‘No,’ and he said, ‘Well, there you go’ and so the decision was made.

But I had a pretty good background, and I think the first story I ever won an award for at a writer conference was a vampirish story about a girl vampire who sort of turns the whole predator thing back on men who are preying on young girls.

Do people put too much importance on vampirism as a metaphor?

Well, they’re looking for it. I know every interview I do somebody asks me why do I think it’s so popular. Typically I’ll say it’s a superhero you can be. Or everybody likes the bad boy. Whatever. It’s an interesting, fun genre to write in because you really are writing about a superhero and he’s got built-in kryptonite of daylight or whatever box of tools you decide to use, whether it’s garlic or stakes or holy water, and that’s always interesting is to have this built-in weakness to either a hero or a villain that has powers. But I don’t think it’s a serious metaphor for life period, no matter how much you want to stretch it. It’s just entertainment and to try to make it anything else is disingenuous.