Archive for Henry Joost


Posted in Devils, Ghosts, Halloween, Monsters, Movies, Reviews, Rue Morgue, Sequels, Supernatural, Witches with tags , , , , , , , on October 19, 2012 by darklordbunnykins



Starring Kathryn Newton, Matt Shively and Katie Featherston

Directed by Ariel Schulman & Henry Joost

Written by Christopher Landon



Rue Morgue Magazine received a lot of incredulous feedback when they published my review of the first Paranormal Activity film. I had written that it was the scariest filmgoing experience I had ever had; that was misinterpreted as “Paranormal Activity is the scariest movie ever made.”

It is true: the Paranormal Activity films are best experienced in a movie theatre, which is why Paramount uses night vision footage of screaming preview audiences to hype each new film.

So it will be interesting to see how audiences react to PA4. The guy to my left at last night’s screening was talking, checking his email and texting throughout, and said, “Thank God that’s over” at the end, while the four teen guys to my right were vocal about their enthusiasm for each set piece. (“Bitch got owned!” greeted the death of one character.)

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Posted in DVD, Ghosts, Interviews, Movies, Thriller with tags , , , , on February 1, 2012 by darklordbunnykins

The DLB recently spoke to Paranormal Activity 3 star Lauren Bittner about the latest entry in the found footage spookshow series.

How was it sold to you in terms of tone and quality?

As far as selling it to me, you didn’t have to sell it much because I was just so excited. It kind of spoke for itself, because I agree with you, I thought it was very smart and an idea I couldn’t believe other people hadn’t thought of.

But it was the kind of thing where they were like ‘look, people want to know this story, people want to know more. We’re not grasping at straws here. There are holes. People want to fill in the blanks. People have been filling in the blanks in between movies by themselves anyway. Let’s fill it in for them. Let’s give them the story. Let’s tell them what happened.’ And that was very exciting for me to go back in time and kind of see where it all started. That was very intriguing. I thought that was a really smart idea.

Because with any great movie that’s always the thing where you want to know what happens next and you want to know what happens before. It’s good. It keeps you asking questions like ‘where did they come from’ and ‘I wish I could spend more time with them after the two hours is over.’ So for me that was the key, I just thought that was so smart. Fans were already so invested in these two girls, and given the gift to go back in time and see their lives before we met them to me was very smart and interesting.


I understand that there wasn’t a concrete script in place. How did that work on set?

We had a writer and script although the nature of it was very loose and there was a lot of improv and stuff, we definitely had some guidance. I don’t want to take all the credit because I was certainly given an outline and ideas and pages and stuff like that. But that’s kind of how it was. It was kind of like a loose structure where you go and have tons of freedom to play and see where it goes. But I’d be lying if I said there wasn’t definitely some guidance, but practically speaking it is scary in parts to go in and not exactly know what’s going to happen. You have to be willing to go with the flow and roll with anything.


Paranormal Activity 4 just got greenlit. Would you have any interest in returning to the series if that were an option?

Oh, of course. Absolutely. Of course. If they wanted me back, I’d be happy to be part of it.



Posted in Devils, Ghosts, Halloween, Movies, Reviews, Sequels, Supernatural, Thriller with tags , , , , , , , on October 21, 2011 by darklordbunnykins



Starring Christopher Nicholas Smith, Laura Bittner and Chloe Csengery

Directed by Henry Joost and Ariel Schulman

Written by Christopher B. Landon


At this point in the life (afterlife?) of the Paranormal Activity franchise, it’s virtually impossible to judge the films based on their artistic merits. Instead one has to go by the visceral reactions of the audience. Did they jump? Did they scream? That is what sells these films, not whether or not they are good or even scary.

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