The DLB had the chance to speak to The Last Exorcist Part II director Ed Gass-Donnelly last week in his hometown of Toronto about working with series star Ashley Bell, shooting in New Orleans, his vision for the franchise, and working with a low budget
First of all, tell me about New Orleans. Tell me about, obviously the typical thing is it’s a character in the movie, certainly Louisiana was very much a character in the first one, in terms of depression of Ashley’s character, Nell; talk about working there and New Orleans as a character in your film.
Well, the big thing for me is that you’ve got this girl in the first movie that has lived in such a repressed environment. Her father won’t even let her go to school and won’t let her listen to music that’s not Christian music, so I loved the idea of what would it be like for that girl to suddenly be…the movie starts with her sort of lost and feral in the woods, almost no memory of what happened, and then she gets put into a transitional home in New Orleans, so you go from like a cabin in the woods where you have no sense of culture, to suddenly being in the middle of Mardi Gras, and certainly what I love about horror movies is it a chance to explore bigger themes and ideas but in a very sort of pop culture environment, so to me this movie is sort of a metaphor for ultimately girls discovering their own voice and sexuality.